I went over to see Neil Kitteridge this morning. Neil is an exceptional upholsterer, a master craftsman. When I design a new upholstered piece, I always talk through the project with Neil. That way I make sure the final piece turns out exactly as planned.
Neil works in an old barn just outside Wolfardisworthy (Wollsery) and the only problem is booking the job into his schedule. He is always busy.
I fitted all the leg joints for the two Alice chairs today. One is been made in olive ash and the other in oak. Now to dismantle them again and finish the shaping of the back hoop before fitting it to the legs.
Why is the plank of wood you need always at the bottom of the wood stack?
I have spent the last few days sorting out the workshop. With the help of some new shelving and storage I have finally found homes for the numerous little odds and sods which ‘may come in useful’ some day. Many of the sods were deemed to be of absolutely no use what-so-ever and have been filed in the bin. Here are a couple of pics of the workshop. They are in black and white as the shelving is alarmingly orange and I haven’t quite come to terms with it.
English brown oak is a result of a Beefsteak fungus (fistulina hepatica) growing on an oak tree. The fungus reacts with the tannin in the tree changing the colour a rich brown. Needless to say this makes it rarer than standard oak and therefore a bit more pricey. I have used a few times before and it is good to be able to offer clients a rich dark timber without having to resort to importing an exotic species or using a stain.
Today I visited Jack Clark in Leigh Sinton. I had stayed overnight with family in Worcester and woke up to freezing fog and a hard frost. I set of with a bit of trepidation, not looking forward to having to trying to select boards in the freezing cold. However as I drove out of the city the sun broke through and revealed a beautiful clear morning. Jack has been in the timber industry one way or another since he was a young man and is one of the few suppliers who has really good quality brown oak. His small timber yard is full with planked trees and is a world away from the bigger yards I sometimes use. He is always happy to help me go through and select out what I want. After an hour and a half in the fresh morning air he made a proper cup of tea (tea leaves in pot) to warm us both up whilst we did the paper work.
This is design for a blanket chest for a client. I decided to render up the image in CAD to see if it helped in comunicating the design. I’m still not sure, it is very useful but somehow it lacks some of the emotion you get from a drawing.
Two beautiful boards of European oak arrived in the workshop yesterday both about 6m long and 50cm wide. I have started using this more and more. It is whats known as ‘Swiss grade’ timber FSC certified clean boards. Although more expensive, I find that not only is there is a lot less waste but as there are so few defects ( splits , knots etc..) I am able to select and cut out components much more quickly, saving costs and reducing environmental impact. Most importantly the clean grain suits my designs.
There was an article in the paper about the deforestation in Borneo this weekend. http://www.guardian.co.uk/world/2010/oct/24/borneo-indonesia-rainforest-illegal-logging The WWF website has a campaign http://www.wwf.org.uk/what_we_do/campaigning/what_wood_you_choose/ which outlines why using FSC certified timber is so important.